“Who’s Your City” asks Richard Florida in his new book. Yes, it’s another Richard-Florida-bashing screed from your favorite uncreative classless git.
I’m probably more guilty of committing these sort of ‘city hunting’ atrocities - described by Florida as the most important thing a person will ever do. I’m aware, however, that this habit of mine is unhealthy and I am rather alarmed that this master of the positive reinforcement of vices is encouraging more people to take the plunge and relocate, for the dubious and self-destructive reasons he cites as what cities ‘offer’ to their residents. Richard Florida, and many neo-urbanists of his ilk, are partaking too copiously in the bourgoise fantasy of the never-ending ephemeral city of leisure.
I’ve often wondered why the theory that economic booms and entrepeneurial originality could best arise in large, busy, ‘culturally rich’ cities held any water at all. My own observations of cities told me that they were filled mostly with debt-laden alcoholic youths and overgrown Peter Pans. I’ve always hated this, since I love looking at cities, I just hate being in them, or in any sort of proximity to the type of human beings that tend to congregate in them.
Lately, though, I think I am starting to understand the role of the city in economic growth and capitalism in the post-suburban world: it’s not that cities necessarily produce innovation or spark creativity; rather, it’s that the class of individuals who engage in entrepeneurial and creative work tend to both have a choice in where they live and they make that choice based on ephemeral desires revolving around what they plan to do with their leisure time.
Which begs the question: why do entrepeneurial businessmen and creative professionals travel? If they want to recreate at the corner bar or bistro, why do they need a Mini Cooper to escape the city in every weekend, or a nearby airport for that annual or semi-annual trip to the tropics? Why do they need to vacate when their chosen homes are so fucking edgy and engaging?
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